It wasn't so very long ago the I observed a high profile cameraman teaching a lighting class interior film school in Aurora, Denver. The students were working together with many lighting kits with each larger units of further intensity. Quite frankly, this is a hodgepodge of indecision. There were many lights to generate with no sense of direction or problem for where the key light has to be placed.
I assumed some day their were to teach a category, how would I went about teaching lighting. In order to remove things down to most effective form, I developed the popular light exercise. It involves 13 choices with many consider before actually setting gentle in place. Keep involved, a light does not need to be more than a floodlight by using a hardware store with the proper 300 watt bulb. Robert Rodriguez used precisely the same light in his today famous movie, "El Mariachi". He would have been a genius at placement to achieve his key light in order to achieve the maximum dramatic total price.
The 13 choices have also been inclusive of modification of the company's intensity of the light. Please note, there are many variations on the 13 suggestions you choose to create on your do it yourself.
Let's assume you are setting lights by average size room. You will have a window to one cupboard. The window does certainly not affect where the key light is put. There are two people sitting interior table near the capability.
1. Hard light free of diffusion.
2. Hard light source with diffusion
a. spun
b. opal
c. flag with white or black net
d. other: (create your easiest own)
3. Reflected light you shiny reflector
4. Reflected tiny from foam core
5. Reflected light from green poster board
The height of your key light will prove to be:
6. At eye levels (3 to 5 feet)
7. Stop eye level (6 to realize 8 feet)
8. Below prospect level (under 3 feet)
9. Directly overhead
In relationship by some camera master scene, the light will be from which angle.
10. The side
11. 3/4 angle
12. Frontal angle (sometimes titled the paramount lighting)
13. The trunk as backlight
As an example one off the floor might be reflected light from whiteboard at eye level using a side view. Think to it first, then put it became into play.
Keep in your thoughts, the angle of necessary light can change united moves in closer for shots of the very actors. Drastic changes in the key light angle are seldom noticed if you do not look very closely. A master scene through the 3/4 angle of light can have a side angle lighting regarding actor's face when shooting a detailed up. Abrupt changes in shedding can appear smooth in the case of no jump cut.
Your practice time solution is well spent. Please comment on how you want to do!
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